A Bridge Too Far, Amsterdam, Amsterdam-Rhine Canal, Arnhem, Bartolomiej Pekiel, Dominicanenklooster, hugo Dostler, Huissen, Huub de Lange, In Flanders Fields, J C Bach, John McCrae, Kathryn Rose, Lingewaard, Marianne Schuurmans, Montgomery, Operation Market Garden, Parry, Peter C Lutkin, Peter Leech, Schiphol, Tallis, Utrecht
I have just spent a week in the Netherlands, commemorating with an ‘International Liberation Choir’ of 24 singers, the 75th anniversary of Operation Market Garden, also known as the Battle of Arnhem. “In the summer of 1944, the Allies launched a daring airborne operation to secure the River Rhine crossings and advance into northern Germany. Although it ultimately failed to achieve its objectives, the determination and courage shown by the airborne troops and the units that assisted them made Market Garden one of the Second World War’s (1939-45) most famous battles.” (The opening of the National Army Museum’s account. See also the Imperial War Museum’s story in pictures, and a very full account in Wikipedia.)
Friday 13th September. I had had about two hours’ sleep the night before, reading far too late about the Operation, and about the authenticity of the film, ‘A Bridge Too Far’ which I had just watched, (very authentic, except that Montgomery is let off lightly at the expense of Browning), and worried that I would not wake up at 3.15.
Arriving at Amsterdam’s Schiphol airport, I boarded a train to Arnhem, where I arrived about lunchtime, despite a 75-minute delay at Bristol Airport for lack of buses from terminal to plane.
Fortified by an excellent mushroom and cheese omelette at the Robin-Hood bistro café …
… I caught the no. 300 bus to Huissen, for a short walk to the Dominican monastery where most of us were to stay (several lived near enough not to have to) and to rehearse.
The main function of the monastery, which now has only four monks, is as a modest guest house for groups and individuals. Far from a spartan cell, my room was comfortable and a very decent size. Showers and loos were a short way down the corridor, but there was a basin in each room.
I spent the rest of the afternoon settling in and relaxing in my room, before meeting the others in the dining room for a very early evening meal. The choir was 24-strong: 12 Dutch, 9 British, two German and one American. Sadly the only Polish representative had had to drop out shortly before the week, and the organiser, the amazing Beatrix, had not been able to find a Canadian singer at all. These six countries were those involved in Operation Market Garden in 1944. The British conductor, composer, and lecturer, Peter Leech, directed the music.
Saturday, 14th September. I explored the grounds for a few minutes before breakfast.
The whole of Saturday was spent discovering and rehearsing the repertoire for our concerts. Early on, the director of hospitality led Marianne Schuurmans, mayor of Lingewaard (the municipality which includes Huissen, link is to map), and the prior of the monastery into the chapel to welcome and thank us. In excellent English.
We had the splendid library to ourselves for our breaks.
Not surprisingly, our moving programme told of war, of death, of remembrance, of commemoration, and of peace and hope. It included works by composers and poets of the six nations, including Tallis and Parry, the Canadian Kathryn Rose, Huub de Lange, J C Bach and Hugo Distler, the Polish early baroque composer Bartolomiej Pekiel, the American Peter C Lutkin, and three pieces by Peter Leech. I was choking as we first sang through his ‘In Flanders Fields‘, a poem by the Canadian physician and lieutenant-colonel John McCrae, apparently well-known but which I had never come across before.
After another early evening meal, there was time for a wander round the town.
I was delighted to catch the tail end of a carillon.
Back to the monastery.
I saw an information board which told me that it had been founded in the 19th century, and had played an important role in the war, when much of the territory around had been flattened. The clean and peaceful present-day surroundings were such a contrast.
Olive Simpson said:
Well I must say I have never seen a tandem tricycle – in fact I didn’t know such a thing exists! What a fascinating – and I’m sure moving – project. The monastery looks very peaceful and not too spartan.
I wonder shall I ever see a tandem tricycle again!
Lavinia Ross said:
I enjoyed reading about your trip, Musiewild. A wonderful program you took part in.
The tandem tricycle is interesting.
Thank you Lavinia. It was a very moving experience.
What a feat of organisation and well done you for making the journey to take part in the concerts. A splendid recording of your visit so far.
I’ve organised some concerts and indeed a couple of weeklong visits in my time, but they pale before what Beatrix had to deal with, and as far as I know she had no committee to help her. She says she enjoys it!
Well that was all very interesting, the pictures, the text and the music you sang. Thanks for taking us along.
Lots more to come!
Having a whole train to yourself must have been quite unnerving.
Not quite the whole train! But I was a little worried until the name of Arnhem appeared on the list!
Thanks for the carillon! ‘In Flanders Fields‘ is indeed a very moving piece. I came accross it when searching about the “Remembrance poppies”, and fully understand your emotion when starting to sing it.
It has apparently been set to music many, many times, and I can quite understand why.
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