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~ An occasional blog, mainly photos

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Tag Archives: Peter Leech

Arnhem Remembered 3

24 Tuesday Sep 2019

Posted by Musiewild in History, Music-making, Photography, Travel

≈ 13 Comments

Tags

Antoon Verbekel, Argyll and Highland Sutherlanders, Army Air Corps, Arnhem, Auschwitz, Bailey bridge, British Army, Dorsetshire Regiment, East Yorkshire Regiment, Freedom Museum, Military Police, Monmouthshire Regiment, Netherlands, Operation Market Garden, Pete Hoekstra, Peter Leech, RAF, Royal Air Force, Royal Canadian Air Force, Royal engineers, Royal Household Corps, Royal marines, Royal Navy, Royal Tank Regiment, Royal Welch Fusiliers, Somerset Light Infantry, St-Petrus Kerk Uden, Uden, Uden War Cemetery, War dead

Monday, 16th September was a wet day, and fortunately we did not have to go outside of the monastery, having a full day of rehearsals and a concert in its chapel that evening. I took very few photos, just two, of guests at our concert.

The first is of 97-year-old British veteran, Private George Avery, 71st Field Company, Royal Engineers. (My grandfather served behind the trenches in the Royal Engineers in the First World War, and in the Second my father in the RAF and my uncle in the Royal Navy. How I wish, like so many, that I had asked the questions when I had the chance. And, additionally this day, I was conscious that it would have been my mother’s 100th birthday.)

In September 1944 the Royal Engineers prepared for the drive north to Arnhem, and in February 1945 built the longest Bailey bridge in the world. Private Avery was at Auschwitz shortly after Liberation and says he will always remember that.

Here he is in those days. Same cheeky smile!

The other photo I took minutes later, of the US Ambassador to the Netherlands, Pete Hoekstra. He was born in the Netherlands, but moved to the US when he was three. He had been at the Freedom Museum the day before and had been urged to come to our concert if he was free. Here he is addressing us before the concert, with his wife, Diane, and ‘our’ American, Bill.

The chapel was full, with nearly 300 in the audience, the Ambassador unnervingly just feet away from us as we sang. Here our conductor, Peter Leech, is giving us concert feedback at the beginning of our rehearsal the next day, as we sat in our same places.

Tuesday 17th September. After lunch at the monastery, we set off in the coach for Uden. We were greeted there at the Commonwealth War Cemetery, right in the middle of the town, by a former mayor, Mr Antoon Verbakel. He has been for many years the chair of a group concerned with honouring those buried there, some 700, the vast majority of whom are British. He told us of the history of the cemetery, and said that, while their annual war remembrance ceremonies ares in May, he personally comes to the cemetery at the same time as – and he choked with emotion at this point – as our Queen is honouring the dead in Whitehall on Remembrance Sunday. He presented Peter with a book he had written giving the story of the cemetery, after which we were free to walk around.

A 32-year-old Flight sergeant from the Royal Canadian Airforce, 26.05.1943
A 19-year-old Trooper from the Royal Tank Regiment, 29.09.1944
A 20-year-old Private from the Argyll and Sutherland Highlanders, 07.11.1944
A 26-year-old Russian prince, serving with the Monmouthshire Regiment, 26.10.1944
A 20-year-old Pilot Officer from the RAF, 15.06.1943
A 20-year-old Private from the Dorsetshire Regiment, 16.02.1945
A 19-year-old Private from the East Yorkshire Regiment, 09.03.1945
A 21-year-old from the Royal Marines, 13.04.1945
A 20-year-old from the Polish forces, 31.03.1945
A 31-year-old Navigator from the RAF, 27.01.1943
A 25-year-old Corporal from the Royal Welch Fusiliers, 25.10.1944
A 21-year-old from the Glider Pilot Regiment of the Army Air Corps, 25.09.1944
A 33-year-old Corporal from the Somerset Light Infantry, 04.10.1944
An Unknown Soldier from the Royal Household Corps, October 1944
A 29-year-old from the Military Police, 13.04.1945

And many hundreds more, including servicemen from New Zealand and Australia.

It was time to walk to the parish room of the St-Petrus Kerk, where we would give our second concert. This was not just any old kerk. It was the size of a cathedral!

It was just as big inside as it was outside, as we discovered during our rehearsal.

Between rehearsal and concert, we were as bad as the youngsters…

For the concert, the church, while not packed, was very full, probably the same number as the night before. We were delighted to see Private Avery and his family there again in the front row, joining in, along with the rest of the audience, our encore, an arrangement of ‘We’ll meet again.’ The Dutch know it as well, if not better than the British do.

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Arnhem Remembered 1

22 Sunday Sep 2019

Posted by Musiewild in History, Music-making, Photography, Travel

≈ 13 Comments

Tags

A Bridge Too Far, Amsterdam, Amsterdam-Rhine Canal, Arnhem, Bartolomiej Pekiel, Dominicanenklooster, hugo Dostler, Huissen, Huub de Lange, In Flanders Fields, J C Bach, John McCrae, Kathryn Rose, Lingewaard, Marianne Schuurmans, Montgomery, Operation Market Garden, Parry, Peter C Lutkin, Peter Leech, Schiphol, Tallis, Utrecht

I have just spent a week in the Netherlands, commemorating with an ‘International Liberation Choir’ of 24 singers, the 75th anniversary of Operation Market Garden, also known as the Battle of Arnhem. “In the summer of 1944, the Allies launched a daring airborne operation to secure the River Rhine crossings and advance into northern Germany. Although it ultimately failed to achieve its objectives, the determination and courage shown by the airborne troops and the units that assisted them made Market Garden one of the Second World War’s (1939-45) most famous battles.” (The opening of the National Army Museum’s account. See also the Imperial War Museum’s story in pictures, and a very full account in Wikipedia.)

Friday 13th September. I had had about two hours’ sleep the night before, reading far too late about the Operation, and about the authenticity of the film, ‘A Bridge Too Far’ which I had just watched, (very authentic, except that Montgomery is let off lightly at the expense of Browning), and worried that I would not wake up at 3.15.

Arriving at Amsterdam’s Schiphol airport, I boarded a train to Arnhem, where I arrived about lunchtime, despite a 75-minute delay at Bristol Airport for lack of buses from terminal to plane.

No-one with me on the upper deck of the train. Am I on the right one?
Yes
The very flat Dutch countryside
The Amsterdam-Rhine Canal accompanies the railway line as far as Utrecht, used here by a pleasure boat,
and here by a commercial one.
Examples of the double-decker train I was on, and a regional train.
Given that this was the Netherlands, I saw hundreds and hundreds of bicycles during the week. But this was the only tandem tricycle I saw, here on the railway platform of a station we passed through.

Fortified by an excellent mushroom and cheese omelette at the Robin-Hood bistro café …

Again I have the place to myself!

… I caught the no. 300 bus to Huissen, for a short walk to the Dominican monastery where most of us were to stay (several lived near enough not to have to) and to rehearse.

View from my window.

The main function of the monastery, which now has only four monks, is as a modest guest house for groups and individuals. Far from a spartan cell, my room was comfortable and a very decent size. Showers and loos were a short way down the corridor, but there was a basin in each room.

I spent the rest of the afternoon settling in and relaxing in my room, before meeting the others in the dining room for a very early evening meal. The choir was 24-strong: 12 Dutch, 9 British, two German and one American. Sadly the only Polish representative had had to drop out shortly before the week, and the organiser, the amazing Beatrix, had not been able to find a Canadian singer at all. These six countries were those involved in Operation Market Garden in 1944. The British conductor, composer, and lecturer, Peter Leech, directed the music.

Saturday, 14th September. I explored the grounds for a few minutes before breakfast.

We were not the only guests. When we arrived there was also a group in residence studying meditation for the weekend, and others came and went during our stay.

The whole of Saturday was spent discovering and rehearsing the repertoire for our concerts. Early on, the director of hospitality led Marianne Schuurmans, mayor of Lingewaard (the municipality which includes Huissen, link is to map), and the prior of the monastery into the chapel to welcome and thank us. In excellent English.

We had the splendid library to ourselves for our breaks.

Not surprisingly, our moving programme told of war, of death, of remembrance, of commemoration, and of peace and hope. It included works by composers and poets of the six nations, including Tallis and Parry, the Canadian Kathryn Rose, Huub de Lange, J C Bach and Hugo Distler, the Polish early baroque composer Bartolomiej Pekiel, the American Peter C Lutkin, and three pieces by Peter Leech. I was choking as we first sang through his ‘In Flanders Fields‘, a poem by the Canadian physician and lieutenant-colonel John McCrae, apparently well-known but which I had never come across before.

After another early evening meal, there was time for a wander round the town.

I was delighted to catch the tail end of a carillon.

Back to the monastery.

I saw an information board which told me that it had been founded in the 19th century, and had played an important role in the war, when much of the territory around had been flattened. The clean and peaceful present-day surroundings were such a contrast.

Model of the monastery and its guest house in the vestibule.

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A concert in Wells Cathedral

31 Sunday Jul 2016

Posted by Musiewild in Music-making, People, Photography

≈ 18 Comments

Tags

Hassler, Jacquet de Mantua, Morales, Pepylling Wynde, Peter Leech, Renaissance, Sheppard, Spem in Alium, Striggio, Tallis, Tallis Voices, Wells, Wells Cathedral, Wells Museum

Last Friday I sang with a large group of musical friends from near and far, calling themselves Tallis Voices, in a rather special concert in Wells Cathedral. It was to celebrate ten years of having done so, just once a year, usually on just a day and a half of rehearsals.  This time we had two whole days to rehearse, a real luxury. The main work was Tallis’s wonderful 40-part ‘Spem in Alium’, to which were added works by Striggio, Morales, Hassler, Jacquet de Mantua, and Sheppard, all renaissance masterpieces.

We met mainly in Wells Museum’s meeting room, but we spent a few hours in the Cathedral itself, and I managed to dash around and take a few photos before, and even during that time.

It was a grey afternoon as I firstly wandered around outside.

Wells Cathedral and Spem27

Wells Cathedral and Spem26

Wells Cathedral and Spem25

Vicars’ Close

Wells Cathedral and Spem24

Wells Cathedral and Spem23

North door

Wells Cathedral and Spem22

Here are some general views inside.

Wells Cathedral and Spem21

From the west end

Wells Cathedral and Spem20

The famous ‘scissors’ were added a century or so after construction to stop the tower falling in.

Wells Cathedral and Spem19

From behind the altar

Wells Cathedral and Spem18

The organ and half the choir stalls

Wells Cathedral and Spem17

Wells Cathedral and Spem16

Sorry about the musicians’ clobber

Wells Cathedral and Spem15

The famous steps, leading up to…

Wells Cathedral and Spem14

… the Chapter House

Some details.

Wells Cathedral and Spem12Wells Cathedral and Spem11Wells Cathedral and Spem10

Wells Cathedral and Spem9

A clock in the north transept even more splendid than the one outside

Wells Cathedral and Spem8Wells Cathedral and Spem7

Singer’s eye view

Wells Cathedral and Spem6Wells Cathedral and Spem5

Wells Cathedral and Spem4

This half of the choir sang the Morales in the south transept.  My half sang the Jaquet de Mantua in the north transept.

Wells Cathedral and Spem3

Our conductor, Peter Leech, showing us something on his score of the 40-part Tallis piece.

The instrumentalists, Pepylling Wynde,  played in some of the works, and performed on their own as well.

Wells Cathedral and Spem2The sun came out at the end of the afternoon.

Wells Cathedral and Spem1

No pictures of the concert for obvious reasons. Thank you Chris, Sue, and Peter for a thoroughly enjoyable two days.

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