Focus on Street

Tags

alderfly, Bear Inn Street, Blue lias, buttercups, C & J Clark, Clyce Hole, comfrey, Cow Bridge, Crispin Centre, Hay harvesting, Horse and cart, icthyosaur, Jonathan Minshull, Laura Wolfers, Liz Leyshon, Mendip District Council, oil seed rape, peat extraction, Poldens, quarrying, River Brue, robin, shoemaking, Somerset Council, Somerset County Council, Street, Street Parish Council

Street village, that is. (It prides itself on being a village, despite being bigger than the town of Glastonbury to its north, on the other side of the River Brue.)

On Saturday (14th May) I was invited by my friend Liz, Somerset County and Mendip District Councillor, who lives in Street, to the unveiling of some murals in the Library Gardens, a small green space on Street’s High Street. (How did Street get its name? “The place-name ‘Street’ is first attested in Anglo-Saxon charters from 725 and 971, where it appears as Stret. It appears as Strete juxta Glastone in a charter from 1330 formerly in the British Museum. The word is the Old English straet meaning ‘Roman road’.”) The Wikipedia article on Street, while needing a bit of an update, has a lot of interesting background information.

The murals were commissioned by Street Parish Council, working in partnership with Mendip District Council (to merge, in a year’s time, along with Somerset’s three other district councils, and with Somerset County Council, to become a new unitary authority called Somerset Council) and Street Library Trust. They were painted by local artist Jonathan Minshull.

When Laura Wolfers, Chair of Street Parish Council, reached out to shake my hand, I realised that this was the first time I had shaken anyone’s hand since February 2020. Whereas in March of that year, I had declined to do so several times, with explanation, it would now have been very awkward to do so, although I am still being very cautious. And I have to admit, it felt good, alongside feelings of worried hesitancy. She didn’t seem to take it amiss when I then took a photograph of her chest, in order to capture Street’s ichthyosaur emblem (since 1894) at the base of her Chairman’s chain. (A parish council does not have a mayor.)

Here she is introducing the artist.

Among the many people taking photographs was her son.

And here are the murals. The captions are as provided in a handout.

“This panel represents the shoemaking process during Edwardian times inside the old C & J Clark’s factory buildings in Street, around 1900-1910.”

“This scene shows summer hay harvesting in the meadows to the south of the Clark’s factory buildings in Street in Victorian times around1860-1880.”

“The image shows the discovery of the ichthyosaur fossil specimens at one of the Street ‘blue lias’ limestone quarries in the 1850s. Here some discoveries have been dragged to near the quarry entrance ready for transportation to the recently started Clark’s collection and a lady from the village has brought her daughter to see the fascinating finds.”

Liz unveiled the fourth:

“This panorama shows the manual process of peat extraction from the levels around Street at the turn of the 19th and 20th centuries, before mechanisation. The peat was cut into blocks calles ‘”mumps” or “turves” and stacked to dry in tower-like formations called “ruckles”, before transportation by horse and cart.”

There were some very short speeches, including by the artist.

While thanking friends and relatives for posing as the figures in the pictures, he said it was as well that one such, who appeared in each mural, was not there, as he was rather naughty. He was referring to his dog, Stanley.

Liz, who had been very much involved in finding the finance, also was invited to speak.

[Later edit: 33-minute background video on the making, hanging and unveiling of the murals here.]

People hung around chatting to each other, as they do on these occasions, enjoying the lovely sunshine. Then five of us went for coffee and cake in the Crispin Centre’s café.

Liz had collected me from my home in Glastonbury, and volunteered to take me back, but I had already decided that I was going to walk, following the River Brue for much of the way. I had to go along the pavement of a main road for about ten minutes.

Part of Clark’s 19th century building, also seen in the second mural. It is flying the Somerset flag.

Like so many buildings in Street, and wider in Somerset, the Bear Inn is built in Blue Lias limestone.

After a short while, I was able to see my destination, by looking to my right.

Still on the road, and having crossed this rhyne, I had thought possibly to cut diagonally across to the Brue, but an electric fence redirected me.

But in due course I was able to reach the river. What a pleasure to walk among all those buttercups!

I reached the river.

Not buttercups here, but oil seed rape,

and comfrey

Many specimens of these creatures had been flying around for a while, and after extensive research, I think they are probably alderflies, of which I had never previously heard. They fly for just a few weeks each year.

Clyce Hole (or Clyse Hole, depending on which Environment Agency panel you read), a water level measuring station

The River Brue was severely canalised, and indeed its channel to the sea redirected, in mediaeval times, and it shows from here on.

This little fella flew on to the branch, and just stayed there while I cautiously moved past him.

Being south of the Brue, I was still in Street, and this was my view southwards, with the lowest range of hills in Somerset, the Poldens, in the distance.

Not the most exciting bridge, Cow Bridge, circa 1930, of reinforced concrete with stone piers. Could one claim that it is art deco?

Anyway, it was time for me to cross and leave the Brue, and continue on to a rather busy main road. But I leant on the parapet contemplating upstream for a bit,

along with my neighbour, Terry, who I had just bumped into here. He was just out to take photos of buttercups.

Together we watched a rather unusual sight go by, after which I set off for the last, and easily the least interesting, leg of my walk.

They and I were rather a nuisance to the quite heavy traffic in each direction… no pavement…

After five minutes more I came to my turning off the main road. Taking the stile would have enabled me to continue on grass for about 100 yards/90 metres or so, but

I took advantage of a recently installed (local elections anyone?) barrier, the forerunner of a cycle lane to be created, in place of an unofficial traveller encampment.

Door to door it had been an hour, which would have been more like 45 minutes had I not stopped for various reasons on the way. A very pleasant walk indeed, in ideal weather, following a happy occasion for Street residents and visitors.

The Glastonbury Way, Part 1

Tags

Ackidock, Glastonbury, Glastonbury Thorn, Glastonbury Tor, Glastonbury Town Council, Glastonbury Way, Joseph of Arimathea, Mendip District Council, Morland, Pomparles Bridge, River Brue, Royal Bank of Scotland, Somerset and Dorset Railway, Somerset Rivers Authority, St Bride, Towns Deal, Wearyall Hill, Who'd a Thought It, Zigzag Building

Not meaning the way Glastonians do things, (that’s way beyond my comprehension!) but a waymarked walking route created a few months ago, with finance from the Towns Deal, and expert contributions from Glastonbury Town Council, Mendip District Council, (soon to be abolished, as Somerset County Council becomes unitary) and a host of volunteers.

My friend Zoe and I have done it in two parts as our first Friday walks in September and November, and I thought I would write the two walks up in consecutive posts. (It was Zoe’s turn to organise our October walk.)

The Way starts at the information office in the centre of town, but it suited us to start from my house on the edge, and to pick it up somewhat before Point 2. (The Way’s Facebook page of the Way is headed by a map. There are two sets of numbers, mostly coinciding but not always. I think the alternative set is something to do with the ‘mystical’ side of Glastonbury, which does tend to escape me. My references are to those preceded by ‘B’,which I think stands for ‘board’.)

As it happens, we walked back to my house after lunch past the official starting point at the Information Centre, and here is Board 1. A plan of the walk is bottom left, and that day we did (most of) the western circuit.

The walk is described in some detail in an app, (‘The Glastonbury Way’) which also gives all the information supplied on the boards, in writing and aurally.

We joined the Way at Wearyall Hill, (sometimes written as Wirral). The origins of the name are unknown, possibly coming from the legend that Joseph of Arimathea came to Glastonbury bearing the chalice used at the Last Supper. He is said to have arrived by boat (Glastonbury then being an island, or perhaps a peninsula, in the middle of marshy, swampy land) and, weary, he planted his staff in the ground, which became the famous Glastonbury Thorn, of which a sprig is given to the monarch on Christmas Day to decorate her breakfast table.

Looking back over right shoulder to the town. The towers of St John’s Church and St Benedict’s Church, and the Abbey ruins can just about be made out.

Looking directly back, to the Tor and, somewhere in there, where I live

Looking right, due north, to a small retail park

At the end of the ridge which is Wearyall Hill we came to Board 3.

At useful, and usually rather scenic, points along the Way there are welcome seats.

Down from Wearyall Hill, you can still see the Moors (aka Somerset Levels), the fairly recently opened Premier Inn to the right, and on the left the old Morland (‘Bauhaus’) factory, now known locally as the Zigzag building, which is in the process of renovation and new purposes.

Some features on the Way have been around for a long time.

We then took:

though it’s not even straight.

Pomparles Bridge crosses the very busy main road linking Glastonbury to Street, It’s name is a mutation of Pons Perilis, assumed to mean bridge of peril, (though if it does, it must be a mediaeval abbreviation of the classical latin word, ‘periculis’.) The app tells us that ‘Its name is related to Siege Perilous, the seat at King Arthur’s Round Table kept for the knight destined to find the Holy Grail but fatal for any other occupant.’

The River Brue was incredibly low that September day. I have never even seen the grasses above water level, let alone laid down like this.

Nor have I seen elsewhere any sign saying in effect ‘beware of the badger works’! This was after we had crossed the busy road at, fortunately, a lights-controlled pedestrian crossing.

‘Bride (pronounced ‘Breed’) was one of the most widely worshipped goddesses in Celtic Britain.’ Archaeology shows that there was a small chapel on the site of Bride’s Mound, and also a cemetery dating from Romano-British times. 12th and 4th century writings say that St Brigid of Kildare visited Glastonbury in 488 AD, and spent some time here.

At this point we were following the river bank, and theoretically we should have been able to follow signs right, across to Bride’s Mound, subsequently retracing our steps, but we couldn’t find those signs. Pity, because in 10 years, I have not yet seen the Mound.

It was extraordinary to see the banks of the Brue so deep, due to lack of water. Water levels across the entire Somerset Moors and Levels are incredibly closely managed by the Somerset Rivers Authority.

Came a point where we were a little perplexed as to where to go, as there appeared to be a kink which did not appear on the plan. But we trusted to the waymarks and all was well.

Now a footpath, this bridge once carried the single-track Somerset and Dorset railway line over the river. It is known locally as ‘Ackidock’, from the aqueduct that was also here once.

I know nothing about this, nor does the app/board say anything. On enlarging to a maximum, I can just read, centre-left top, ‘The Royal Bank of Scotland’, which also appears once more in the otherwise illegible text. Please add a comment if you can enlighten.

Willow Walk is well-named.

A lovely spot for a picnic lunch we thought – though we were planning to eat at a pub.

The explanation for the creation of the pleasant spot however was sad.

It was perfectly possible to read Board 8 – but impossible to take a photo of it in its entirety.

We shortly came into a light industrial area, and as we neared the centre of town, we cut a little away from the Way’s official route, to make more directly for our lunch place. We passed my doctors’ surgery.

And ended up at the ‘Who’d a Thought It’, just off the Market Place, where we had a good lunch, and also a discussion with the innocent waitress as to whether it was really necessary to wrap our cutlery and paper napkin in horrid little plastic ties, single use to boot. (I will get around to that Glastonbury Mural Trail some time.)

The walk back to my house took us through the Market Square. The official route, in effect starting part 2, would have taken us up the High Street, off right in this photo. I have blogged on that previously.

To be continued.

A walk under lightening clouds

Tags

Glastonbury, Glastonbury Tor, Millfield Prep, Ponters Ball, River Brue, sheep, Somerset Levels, Somerset Moors and Levels, swan

Yesterday was the second of my resumed monthly walks with my friend Zoe, though sadly the pub lunch at the end will not resume until next month – hopefully. We started from my house, and followed a route I had done once before, many years ago, but which I had not felt able to do more recently as I didn’t want to venture alone along that part of the route which lines the River Brue. It is now populated with somewhat scruffy residential caravans, past which I would not wish to go alone. There were many more caravans than shown here.

The walk was a little longer than planned, as what we did for a time clearly did not fit with what was on the OS map. I had had no problem with this when I had previously done the walk. Perhaps we were just chatting too much. I think I know now what went wrong, and am tempted to go and check it out sometime, but…

The walk was on a very local patch of the Somerset Moors, a.k.a. the Somerset Levels, though technically those are off to the west, bounded roughly by the M5 motorway. Over the centuries from Roman times they have been progressively drained, turning from marshes into pastureland. (The Draining of the Somerset Levels, by Michael Williams is fascinating on the subject.) They abound in ditches and rhynes (pronounced ‘reens’) and if you can help it you don’t set off across a field unless you know for sure that you will not be cut off at the other side by a water course too wide to leap across. (Moors, levels, rhynes explained here.)

The River Brue, canalised in mediaeval times. Note the patched road. We saw many fresh patches like this along the way.

A much enlarged clip from the above picture will show how the local authority is meeting the obligation placed on it by the government to provide sanitation for the caravan dwellers during the pandemic, as part of its campaign to get the homeless off the streets. This is to end after 17th May.

Glastonbury Tor accompanied us throughout.

Having passed this caravan I turned round to take a photo of the mattress lying among the branches of the tree, and the solar panel.

No wonder the road patches had seemed fresh!

Difficult not to stop and watch little lambkins. West Pennard Hill in the background.

When we caught sight of this swan it was way off, but when it caught sight of us it swam purposefully in our direction.

And swam purposefully away from us once it saw we had nothing to give it.

It was around here that we started to suspect we weren’t quite sure that we were where we thought we were. Still, it’s a nice bridge, of sorts.

We stood looking at this flock for quite a long time. After all, we had to make sure that each of the four lambs dispersing from playing together managed to find its right mother.

It this point I thought we were on Ponters Ball, a local earthwork of unknown age and purpose. Glastonbury is, in effect a peninsula, surround by Moors, formerly marshes. This earthwork marks the fourth, non watery, side of the peninsula. The earthwork did not particularly impress Zoe, who had not heard of it before I drew it to her attention as we made our arrangements.

In any case, I was wrong. This was Ponters Ball, reached ten minutes later. Looking southwards,

and here northwards. Zoe was a little more impressed. And from here on we knew exactly where we were.

Some furry creature has come to a sad end, at the hands – or more probably claws of a feathery creature

We were well and truly on the homeward stretch now, here entering the grounds of Millfield Preparatory School.

Tennis practice. And we also saw equestrian practice, but were too close for comfortable photography … and the battery of my phone – I had not bothered with my camera as I didn’t expect to take any photos – was running out.

Just enough juice to take one last picture of the Tor.