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Tag Archives: Wells Cathedral

Milton Lodge Gardens

13 Friday May 2022

Posted by Musiewild in Countryside views, History, Industrial archeology, Photography

≈ 12 Comments

Tags

camass, Glastonbury Tor, Mendip Hills, Milton Lodge Gardens, National Gardens Scheme, ransoms, red kite, triple entry pond, Wells, Wells Cathedral, wild garlic, Wrington

After a pleasant ‘first Friday’ walk with my friend Zoe, starting and finishing in the village of Wrington in North Somerset,

on Sunday I visited Milton Lodge Gardens, just north of England’s smallest city, Wells. It is open to the public three times a week, but this time it was in aid of the National Gardens Scheme.

The weather was lovely, and the outing was popular, so I had to use the overflow car park, from which this was the view, with Glastonbury Tor, whence I had come, a pimple on the horizon.

Right near where I had parked, was this curious depression, explained in a note nearby to be a ‘triple entry pond’, unique to Mendip, and likely to date from the late 1700s. It was constructed to capture naturally draining water from the Mendip Hills, and used to channel water underground to nearly stock fields.

According to Wikipedia, “Milton Lodge was built by Aaron Foster in 1790 and descended in his family until it passed, by marriage, into the ownership of the Tudway family in the mid 19th century. The Tudways had lived nearby at a house, known as The Cedars, which was built in the 1760s by Thomas Paty, and had bought up much of the local land. In 1909 Charles Tudway moved the main family residence to Milton Lodge, with The Cedars being used during World War I as a military hospital and later by Wells Theological College and Wells Cathedral School” [which it still is].

The same source goes on to say that, “The garden was laid out in 1903 by Capt Croker Ives Partridge of the Alfred Parsons garden design company for Charles Tudway. It consists of a series of terraces planted with mixed borders including a collection of roses and climbing plants. The terraces include Yew hedges, ponds and fountains.[4] The traditional English vegetation is supplemented with Mediterranean plants which are able to flourish due to the microclimate of the site. The upper terrace includes four canons from the Napoleonic Wars are on display.”

Wells Cathedral can just about be made out middle left.

My Candide app suggested that this, of which there were several examples in the Gardens, might be a Flowering maple, (which is not a maple at all but an abutilon), but I’m not quite convinced, while failing to find a better suggestion…

The Gardens go just beyond the big hedge.

As I had walked from the car park, the way was lined with wild garlic, ransoms. I did not take a photo, but need not have worried about there being no further opportunity.

I was tempted up this tiny path to my right, (the terraces being to my left),

and was rewarded with this.

I returned to the main path, went down a few shallow steps, and found a few more ransoms.

Into parkland.

A clearer view of Wells Cathedral

As I said, the Gardens go down to just beyond the big hedge.

At the end of this path was a large area of wildflowers.

My app identified this as Camass, of which I am more confident

On the edge of the wildflower area was this knobbly tree, which I have failed totally to identify,

even given the clue of its leaf shape.

Just by the tree was a bench, one of several in the Gardens. I partook for a minute or two, surveying the lowest terrace

As I stood up, something made my eyes turn skywards, and I was thrilled to see this red kite. It is now some 30+ years since they were reintroduced into the Chiltern Hills. I had seen some in Scotland in 2011 following their reintroduction there, and I knew that they had spread westwards from Oxfordshire into Somerset. But this was the first I had seen here.

I walked through the tea area to explore the middle terrace.

Turning round I spotted a bench hidden on the other side where I thought it would be nice to take a cup of tea.

It’s hidden!
‘Olivia Rose Austin‘

Tea and cake duly bought, I found ‘my’ bench still unoccupied, with this to my left,

this to my right,

and this ahead.

As I returned to my car, it was all too tempting to take an arty photo of the Cathedral, where I shall be singing at a memorial service in a week’s time.

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Wells, February 2022

19 Saturday Feb 2022

Posted by Musiewild in Countryside views, History, Photography, Plants

≈ 14 Comments

Tags

Bishop's Palace Wells, George Inn Croscombe, Good Earth Wells, Josefina da Vasconcellos, Penniless Porch, St Cuthbert's Wells, St Thomas's Wells, Storm Eunice, Vicars' Close Wells, Wells, Wells Cathedral

Mary’s train from Paddington two days ago drew in to Castle Cary station four minutes early in the morning, and likewise was punctual on the way back in the evening. That is, unlike yesterday and today when the rail system in the south of the UK is in chaos, thanks to Storm Eunice.

To the George Inn, in Croscombe for a coffee, and the first session of putting the world to rights. And congratulating ourselves, yet again, for having, some time back, chosen the only day this week when passing time outdoors was not forecast to be spoilt by rain.

As we got into the car to move on to Wells, the first spots of rain started. Over the eight minutes it took to get to that city (the smallest in England), the downpour got heavier and heavier, such that, at the point we would normally have left the car to walk to our lunch cafe, it would have been a very unpleasant experience indeed. We sat in the car, not yet having paid for our parking, contemplating what to do. Mary consulted her preferred forecaster, Accuweather, which said it would be pouring for the rest of the day. Mine, BBC Weather, almost denied that it was raining, and said that precipitation would be almost non-existant for the rest of the day. We used our eyes, and decided to give up and to go to my home, 20 minutes away, where I would rustle up something for us to eat.

I backed the car out some 10 feet, and suddenly the rain got lighter, light enough to walk under umbrellas to the café. So, OK, we would lunch in Wells, then decide what to do. We paid for the parking – I accidentally did so for much longer than just having a meal would have needed (incomprehensible instructions on the meter). By the time we were sitting down for our excellent meal at The Good Earth, it had stopped raining and there was blue sky. So both weather forecasters were wrong.

The day’s plans had actually been to focus on seeing seeing the snowdrops at the Bishop’s Palace. We took some quiet old residential streets to get there,

and first went via the Penniless Porch . To quote Wikipedia, ‘It was named for the beggars who plied their trade there,[3][7] however in 2016 a man was prosecuted for begging nearby.[8]‘

We took a look at the Cathedral,

and at Vicars’ Close (where still all twelve men of the Vicars Choral live).

I came home with well over a hundred pictures taken during the day, so here is a small selection of those I took in the Bishop’s Palace Gardens. (We had actually visited the Palace itself on a previous occasion, perhaps three or four years ago, not written up because the weather was so appalling that photography was worthless, especially in the gardens.)

The Palace’s swans are famous for ringing the bell to get food.
What remains of the Great Hall
Enhanced by a bed of beautiful hellebores
Ramparts and a moat surround the entire palace and its gardens.
Cathedral, Palace, and Mary

The next picture may be of historic interest! It may be the last ever taken of St Thomas’s church spire before its top was blown down by Storm Eunice yesterday morning! It’s there, a little distorted by torsion, at the very left of the picture on the horizon.

The incident has been widely covered in the media, but here is a link to it for the record. Excuse the language if your sound is on… The St Thomas’s link above includes the spire wobbling beforehand as well, and here’s the vicar on the subject.

Daffodils, cyclamen and snowdrops
Crocuses and snowdrops
(courtesy of Mary)

There was a stiff breeze blowing…

I loved the shape of this tree in the children’s play area

Just because everyone takes this view, there’s no reason I shouldn’t.

The Palace’s swans are very tame…

From a distance I had wondered whether the near-adult swan by the sculpture was a sculpture itself. But no, as this video shows. The voice heard is that of the bystander seen at the end. I had advised her to back off…

Mary and I sat for a while on a swing seat in a formal garden of parterres,

with this in front of us. (I just love stipa tenuissima.)

Emerging back through the Great Hall’s wall, we enjoyed this view.

We contemplated going to visit the Cathedral, but opted instead for a cup of tea in the café, The Bishops’ Table,

with this for a view,

and me clearly pontificating on something.

Mary spotted this as we made our way back to the car. Burns the Bread is an excellent small local bakery chain.

We had already obeyed their instruction, at The Bishop’s Table.

We didn’t go straight back to the car park as I had left my umbrella at The Good Earth at lunchtime. It was fortunate that the rain had held off.

Having decided not to ‘do’ the Cathedral, we instead visited St Cuthbert’s church on the way. Live music was being practised on the organ.

Sadly, this photo does not do justice to the bright colours of the roof.
A charming chamber organ,
the important side of which I could not get far enough away from to see fully.
Looking back down the church

Just as we got back to the car – it was fortunate that we had inadvertently paid sufficient parking to cover more than just lunchtime – it started to rain.

Never mind, we were on our way to the warmth of my house, another cup of tea, to obey Burns the Bread’s instructions once more, and to spend even more time putting the world to rights. Isn’t it amazing how the human ape can talk, and talk, and talk, and not run out of things to say to each other?

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The Glastonbury Way, Part 2

20 Saturday Nov 2021

Posted by Musiewild in Countryside views, History, Photography

≈ 13 Comments

Tags

British Pilgrimage Trust, Chalice Hill, Chalice Well, Glastonbury Tor, Glastonbury Way, Gog and Magog, Holy Grail, Joseph of Arimathea, Mendip Transmitting Station, Somerset Levels, Somerset Levels and Moors, St Cuthbert's Wells, St Michael's Glastonbury, Wells Cathedral, White Spring and Temple

Thanks to the British Pilgrimage Trust, I have now been able to include a plan of the Glastonbury Way, and not just provide a link to the Way’s Facebook page to see one. (Sadly it does not include the Board numbers, being concerned rather with spiritual points of interest.)

In September, Zoe and I had walked Part 1, nearly all of the western half of the Way, cutting out just a little from each end for the sake of convenience. Likewise in November we cut the very beginning of the second part, joining it as it turns east off the central ‘square’ portion.

I took fewer photos this time. The scenery was very attractive, but there was not a great deal of variety. The overall length of the walk was about the same, as can be seen.

On the slopes of Chalice Hill. A myth has it that Joseph of Arimathea buried the Holy Grail somewhere around here.
The original wooden St Michael’s Church, on the top of the adjacent Glastonbury Tor, crumbled in an earthquake in 1275. Only the tower, visible through the trees, and lower than it once was, of the 14th century stone church now remains.
Over the left shoulder, Bushy Coombe and beyond it the town centre.
A brief rest at the beginning of Paradise Lane

The views to the north across an outpost of the Somerset (Levels and) Moors, all along the west-east ridge that is Paradise Lane, are lovely, and it was difficult not to overshoot – photos that is.

According to the weather forecast, we should have lost the sun by now, but we didn’t for another hour or so.

Double take

In the distance,

using the zoom on my camera, can be seen the tower of St Cuthbert’s Church in Wells, and the city’s cathedral. The radio mast (Mendip Transmitting Station) can be seen for miles around, and even in Wales when its red safety lights show up at night.

‘Gog and Magog [I quote from the app] are the only surviving exemples of the Avalon Oaks. These were a group of oaks that were mostly felled in 1906. One of these great oaks possessed a diameter of 10 feet 9 inches, (3.35 m) and a circumference of 34 feet 4 inches (10.5m). This suggests an age of at least one thousand years. Gog is now expired having been damaged by fire in 2017. Magog survives and provides a living link with our mediaeval past.’

It was a hard slog up the long Stone Down Lane, parallel with Paradise Lane, and this is the only photo I took on the way.

Once arrived at the Tor, we decided not to go up, but to take the alternative route round it.

Once round the other side, we came to the Chalice Well area. One of the houses had a most beautiful fuchsia at the side of the road. I took lots of photos of the bush, and chose this one.

This is not in fact the Chalice Well, which is accessible only behind a pay wall (as it were!) This is the White Spring and Temple. Whenever I have passed it before it has had many ‘alternative’ people there, and I have not ventured close.

Chalice Well is round the corner.

The description of the formal Way ends here, but those who parked their car near Glastonbury Information Centre, where the Way starts, would have ten minutes further to walk. It was eight minutes or so in the opposite direction to my house. We noted this panel on the side of a house on the main road we had to cross.

Once you get past the Gattle, Goats, Garriages and Garts, the Gows and the Galves (I like that spelling in principle) the charge for hippies sort of gives the game away.

We headed away from Glastonbury for our ‘pub’ lunch, and found that our destination in Butleigh no longer served food at lunchtimes. That led to the serendipitous discovery of a very nice coffee shop there, which served much more than its description suggested.

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A concert in Wells Cathedral

31 Sunday Jul 2016

Posted by Musiewild in Music-making, People, Photography

≈ 18 Comments

Tags

Hassler, Jacquet de Mantua, Morales, Pepylling Wynde, Peter Leech, Renaissance, Sheppard, Spem in Alium, Striggio, Tallis, Tallis Voices, Wells, Wells Cathedral, Wells Museum

Last Friday I sang with a large group of musical friends from near and far, calling themselves Tallis Voices, in a rather special concert in Wells Cathedral. It was to celebrate ten years of having done so, just once a year, usually on just a day and a half of rehearsals.  This time we had two whole days to rehearse, a real luxury. The main work was Tallis’s wonderful 40-part ‘Spem in Alium’, to which were added works by Striggio, Morales, Hassler, Jacquet de Mantua, and Sheppard, all renaissance masterpieces.

We met mainly in Wells Museum’s meeting room, but we spent a few hours in the Cathedral itself, and I managed to dash around and take a few photos before, and even during that time.

It was a grey afternoon as I firstly wandered around outside.

Wells Cathedral and Spem27

Wells Cathedral and Spem26

Wells Cathedral and Spem25

Vicars’ Close

Wells Cathedral and Spem24

Wells Cathedral and Spem23

North door

Wells Cathedral and Spem22

Here are some general views inside.

Wells Cathedral and Spem21

From the west end

Wells Cathedral and Spem20

The famous ‘scissors’ were added a century or so after construction to stop the tower falling in.

Wells Cathedral and Spem19

From behind the altar

Wells Cathedral and Spem18

The organ and half the choir stalls

Wells Cathedral and Spem17

Wells Cathedral and Spem16

Sorry about the musicians’ clobber

Wells Cathedral and Spem15

The famous steps, leading up to…

Wells Cathedral and Spem14

… the Chapter House

Some details.

Wells Cathedral and Spem12Wells Cathedral and Spem11Wells Cathedral and Spem10

Wells Cathedral and Spem9

A clock in the north transept even more splendid than the one outside

Wells Cathedral and Spem8Wells Cathedral and Spem7

Singer’s eye view

Wells Cathedral and Spem6Wells Cathedral and Spem5

Wells Cathedral and Spem4

This half of the choir sang the Morales in the south transept.  My half sang the Jaquet de Mantua in the north transept.

Wells Cathedral and Spem3

Our conductor, Peter Leech, showing us something on his score of the 40-part Tallis piece.

The instrumentalists, Pepylling Wynde,  played in some of the works, and performed on their own as well.

Wells Cathedral and Spem2The sun came out at the end of the afternoon.

Wells Cathedral and Spem1

No pictures of the concert for obvious reasons. Thank you Chris, Sue, and Peter for a thoroughly enjoyable two days.

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