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Musiewild's blog

~ An occasional blog, mainly photos

Musiewild's blog

Tag Archives: Amsterdam

Arnhem Remembered 5

27 Friday Sep 2019

Posted by Musiewild in History, Photography, Travel

≈ 9 Comments

Tags

Amsterdam, Amsterdam Centraal Station, Arnhem, Brexit, European Union, IJ, National Opera House Amsterdam, NEMO Amsterdam, Operation Market Garden, Royal98 Amsterdam, St Nicholas Basilica Amsterdam

Thursday 19th September. Rather than spend 6 hours hanging around Schiphol Airport, I decided to stop off in central Amsterdam for a while. I had last been there in June 1985, for the International Conference on Prison Abolition, when I was working in probation. It had been held at the Vrije Universiteit (Free University), very near the city centre, but my main souvenir was of two very enjoyable 3-hour canal trips, one of them including dinner. I hoped to pass the time agreeably once more in the same fashion, perhaps having lunch on board.

With hindsight, I wish I’d done more research in advance. It turned out that I could not have lunch on board a canal cruise, not even by buying a sandwich and eating it there. And any cruises before the evening would only last an hour. As I stepped out of the central station, Amsterdam was heaving, with tourists (guilty), and seemed pretty dirty, especially compared with the pristine newness, openness and cleanliness of the Arnhem area we had been travelling in. Of course, much of that was because the whole area had been flattened by the Nazis 75 years ago.

I took a desultory photograph or two around the station,

St Nicholas basilica
Looking back at the station

then looked for somewhere to find lunch that was not a sandwich bar, and where I could sit down. I eventually found Royal98 on Dam Square and had a very good quinoa, feta cheese and pine nut salad, in pleasant surroundings. I decided to take a one-hour boat trip on one of the offers, all of which seemed to be identical. Probably not, but I was feeling grumpy by now. I am normally a great planner, but had relied on there being a three-hour cruise I could take. Had I known otherwise, I would have done a walk round with a printed plan, and visited a museum or something into the bargain.

Anyway, still grumpy, I realised that in order to be able to sit at an open window, I was going to have to face backwards, and I couldn’t make the earphones for the English commentary stay in my ears as I did my best to take decent photos. Here are some of my efforts.

The architecture of the National Opera House is still controversial, according to the commentary.
‘The only spot in Amsterdam where you can see seven bridges at once.’
The only kind of bicycle I saw in the Netherlands – other than the tandem tricycle seen on a station platform on my first day – was the ‘sit-up-and-beg’ type, which, I imagine, has a more formal name.
The commentary encouraged us to look at the varying mansard roofs (which I still prefer to spell ‘rooves’ as I was taught).
When this waterfront was developed, houses had to be of a single fixed width. Some people got around this by buying two frontages.
Houseboats used to be cheaper form of living. No longer.
I was pleased that we went out on to Amsterdam’s main waterfront on the IJ,
Although this looks like a great liner, this was not intended. It is NEMO, Amsterdam’s science museum. Now there’s something I could have done, with a little more research.
Return to our starting point

Having still a fair amount of time, but little idea of what to do, I went inside the Basilica. Its dark (apparently) marble columns and walls reminded me of my visit to the black granite of St Mungo’s Cathedral, Glasgow.

I particularly liked the metalwork, here a candle-holder.

Back to the station, and this time I walked right through it to the rear, so different architecturally from the front. Over the road, through a cycle park, and I was at the wide open IJ once more for a final look before collecting my case from its locker, and finding a train for Schiphol.

The front of the station
The back of the station, on the waterfront

A week on, and I am trying to make sense of the whole experience, which for me is inextricably tied up with the turbulence in British politics right now, Europe-related. Musically and socially the week was most enjoyable, even if for most of the time I was singing below my preferred range. Historically, it was interesting and moving, and at times quite emotionally draining. Beatrix had arranged a wonderful programme for us.

But, thoughout the time, I was keeping a very close eye on what was happening (or indeed not happening in those very days) in Parliament, and British politics generally. Time and again, being reminded of the tragic and hateful results of war and enmity, I came back to the whole stupidity and, in my view immorality of so many aspects of the whole Brexit movement, and how it is tearing my country apart, when five years ago, 95% of its residents knew nothing of and took no interest in the European Union.

At the time of writing I can still hope that the UK will not leave the European Union, which has ensured peace among our nations for the last 74 years, given smooth trade, brought jobs, given study and work opportunities to many (including myself), ensured co-operation in matters of security and crime prevention, and just generally made the world a better place. How can anyone want to jeopardise all that? I understand the political and, (for a few very rich people, financial) reasons, and can only deplore them, and regret that ignorance and jingoism have led so many to support those political reasons.

An unusual way to end one of my travel blog series, but we live in unusual times.

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Arnhem Remembered 1

22 Sunday Sep 2019

Posted by Musiewild in History, Music-making, Photography, Travel

≈ 13 Comments

Tags

A Bridge Too Far, Amsterdam, Amsterdam-Rhine Canal, Arnhem, Bartolomiej Pekiel, Dominicanenklooster, hugo Dostler, Huissen, Huub de Lange, In Flanders Fields, J C Bach, John McCrae, Kathryn Rose, Lingewaard, Marianne Schuurmans, Montgomery, Operation Market Garden, Parry, Peter C Lutkin, Peter Leech, Schiphol, Tallis, Utrecht

I have just spent a week in the Netherlands, commemorating with an ‘International Liberation Choir’ of 24 singers, the 75th anniversary of Operation Market Garden, also known as the Battle of Arnhem. “In the summer of 1944, the Allies launched a daring airborne operation to secure the River Rhine crossings and advance into northern Germany. Although it ultimately failed to achieve its objectives, the determination and courage shown by the airborne troops and the units that assisted them made Market Garden one of the Second World War’s (1939-45) most famous battles.” (The opening of the National Army Museum’s account. See also the Imperial War Museum’s story in pictures, and a very full account in Wikipedia.)

Friday 13th September. I had had about two hours’ sleep the night before, reading far too late about the Operation, and about the authenticity of the film, ‘A Bridge Too Far’ which I had just watched, (very authentic, except that Montgomery is let off lightly at the expense of Browning), and worried that I would not wake up at 3.15.

Arriving at Amsterdam’s Schiphol airport, I boarded a train to Arnhem, where I arrived about lunchtime, despite a 75-minute delay at Bristol Airport for lack of buses from terminal to plane.

No-one with me on the upper deck of the train. Am I on the right one?
Yes
The very flat Dutch countryside
The Amsterdam-Rhine Canal accompanies the railway line as far as Utrecht, used here by a pleasure boat,
and here by a commercial one.
Examples of the double-decker train I was on, and a regional train.
Given that this was the Netherlands, I saw hundreds and hundreds of bicycles during the week. But this was the only tandem tricycle I saw, here on the railway platform of a station we passed through.

Fortified by an excellent mushroom and cheese omelette at the Robin-Hood bistro café …

Again I have the place to myself!

… I caught the no. 300 bus to Huissen, for a short walk to the Dominican monastery where most of us were to stay (several lived near enough not to have to) and to rehearse.

View from my window.

The main function of the monastery, which now has only four monks, is as a modest guest house for groups and individuals. Far from a spartan cell, my room was comfortable and a very decent size. Showers and loos were a short way down the corridor, but there was a basin in each room.

I spent the rest of the afternoon settling in and relaxing in my room, before meeting the others in the dining room for a very early evening meal. The choir was 24-strong: 12 Dutch, 9 British, two German and one American. Sadly the only Polish representative had had to drop out shortly before the week, and the organiser, the amazing Beatrix, had not been able to find a Canadian singer at all. These six countries were those involved in Operation Market Garden in 1944. The British conductor, composer, and lecturer, Peter Leech, directed the music.

Saturday, 14th September. I explored the grounds for a few minutes before breakfast.

We were not the only guests. When we arrived there was also a group in residence studying meditation for the weekend, and others came and went during our stay.

The whole of Saturday was spent discovering and rehearsing the repertoire for our concerts. Early on, the director of hospitality led Marianne Schuurmans, mayor of Lingewaard (the municipality which includes Huissen, link is to map), and the prior of the monastery into the chapel to welcome and thank us. In excellent English.

We had the splendid library to ourselves for our breaks.

Not surprisingly, our moving programme told of war, of death, of remembrance, of commemoration, and of peace and hope. It included works by composers and poets of the six nations, including Tallis and Parry, the Canadian Kathryn Rose, Huub de Lange, J C Bach and Hugo Distler, the Polish early baroque composer Bartolomiej Pekiel, the American Peter C Lutkin, and three pieces by Peter Leech. I was choking as we first sang through his ‘In Flanders Fields‘, a poem by the Canadian physician and lieutenant-colonel John McCrae, apparently well-known but which I had never come across before.

After another early evening meal, there was time for a wander round the town.

I was delighted to catch the tail end of a carillon.

Back to the monastery.

I saw an information board which told me that it had been founded in the 19th century, and had played an important role in the war, when much of the territory around had been flattened. The clean and peaceful present-day surroundings were such a contrast.

Model of the monastery and its guest house in the vestibule.

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